Weyer paints unstretched canvas both inside the traditional studio and on an outdoor wooden platform where she starts by wetting the support with a wash of water and acrylic. In a dynamic but disciplined course of action, the artist adds subsequent layers in oil, purposefully using a variety of painterly techniques including splatters, smudges, scribbles, and stains that are applied with brushes, rags, fingers, blades, and other implements. Often, pours or fields of color are bounded by thick lines. As she works, Weyer scrapes or wipes away passages of her own mark-making, an instinctive process of dual creation-destruction wherein she repeatedly challenges her own decisions. Weyer characterizes her artmaking process as a kind of struggle and understands that tension to be indexed in her works’ final compositions, which display the urgency and immediacy of the artist’s engagement with her materials.